‘Watercolour Now’ at the Sentinel Gallery and the Sunday Times Watercolour Prize

‘Watercolour Now’

I am in a wonderful exhibition at the Sentinel Gallery in Wivenhoe. I was delighted to be asked to participate by Jane Lewis. It has some great work in it, most of which I was unfamiliar with. I love seeing new work. It is a beautifully hung show with delightful and intelligent juxtapositions, put together by Pru Green and Rosie Harman. There are some fascinating correspondences between abstract and figurative work which I really like. It runs until 25th September so do see if you can make it down.

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Here’s me with my painting ‘Moon boy’, a James Faure Walker and a Clive Davis plate.

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A cracking group with two of my paintings, two by Jane Lewis and one by James Faure Walker

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A great corner with my painting ‘Apollo Garden’ on the left; Bridget Moore’s ‘Yellow Room’ and Caroline McAdam Clark’s ‘Promised Land’ and more ceramics by Clive Davis. Bridget’s work has a Sickert like use of dark but the lightness of touch of Bonnard. Caroline’s landscape uses intriguing and beguiling patterns combined with collage elements. Both are really lovely.

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On the right here are Gertie Young’s wonderfully whimsical landscapes always with a dark shadow of looming evil lurking in the background. And on the left Wendy Jacob’s sand dune. The exhibition also features the work of Debbie Ayles whose work I couldn’t photograph very well but she is the featured artist at the Minories shop in Colchester at the moment.

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In further Watercolour News I have been shortlisted for the Sunday Times Watercolour Prize. Hurrah! The shortlisted works will be shown at the Mall Galleries, London from 19 – 24 September 2016, and will continue to tour to venues across the UK, including Parabola Arts centre, Cheltenham (24 – 29 October 2016) and Guildford House Gallery, Guildford (10 December 2016 – 28 January 2017). Below is my painting ‘Lily White Boys’ which made the cut. The title refers to the English folk song ‘Green Grow the Rushes – Ho’ which is obscure in meaning but vivid in imagery. I like to peer behind the curtain of the obvious. I like not knowing.

 

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